Textual Graph of ‘The Depressed Person’
.The following is a graph of different text types, or modes, in the David Foster Wallace story “The Depressed Person”, as published in the M. Evans and Company 2005 hardcover edition, with f representing footnotes, or rather a line of footnotes, T representing the title line (that is, the line “The Depressed Person” on the first page of the story, which is on page 31 of this, meaning the 2005 M. Evans & Co. hardcover published in New York, edition), n representing (a line of) the other text, the text that is neither footnote nor title, and whose representative letter here clearly suggests that the author, meaning the author of this post, who is definitely not David Foster Wallace, that this author grants a certain privilege to text arbitrarily placed “above the line” even though this author is very aware that this (i.e., this privilege) is highly questionable, perhaps in general and especially when dealing with the work of David Foster Wallace, but ultimately was simply unwilling to come up with another letter particularly since this letter, n, would provide an opportunity for the kind of metacommentary that the author (again, not David Foster Wallace) feels is apt when dealing with the author (this time actually meaning David Foster Wallace), the dashes signifying the bottom of the graph, and the numbers read vertically indicating the page number.
nn nnnnn n n nnnnn n n nnnnnn n n nnnnnn n nnnnnnn nnnnnnnffnn nnn n nnnnnnn nnnnnfffffnnnnnn n nnnnnnnnnnnnnfffffnnnnnnnn nnnnnnnnnnnnnfffffnnnnnnnn nnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnnnfffffnnfnnnnn Tnnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnnnnfffffnnfnnnnn nnnnnnnnnnnfnnfffffnnfnnnnn nnnnnnnnnnnfnnfffffnnfnnnnn nnnnnnnnnnnfnnfffffnnfnnnnn nnnnnnnnnnnfnnffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnnnn nnnnnnnnnnnfnfffffffnfnnfnnn nnnnnnnnnnnfnfffffffnfnnfnnn nnnnnnnnnnnfnfffffffnfnnfnnn nnnnnnnnnnnfnfffffffnfnnfnnn nnnnnnfnnnnfnfffffffnfnnfnnn nnnnnnfnnnnfnfffffffnfnnfnnn nnnnnnfnnnnfnfffffffnfnnfnnn nnnnnnfnnnnfnfffffffffnnffnn nnnnnnfnnnnfnfffffffffnnffnn nnnnnnfnnnnfnfffffffffnnffnn nnnnnnfnfnnfnfffffffffnnffnn ---------------------------- 3333333334444444444555555555 1234567890123456789012345678
12 Dec 2008 at 16:00
I think you’ve (that is, the author of the above post) nailed the DFW style of pronoun reference elaboration.